
Ol' hawkeye spotted these a while back and we knew they were instant must-haves. Six personality profiles celebrating lowered inhibitions and ruptured psyches—and each with an appropriately Cubist backdrop.


So, not only was I totally off the mark on the actual condition of the record, but I would've also screwed myself out of an un-split and intact inner sleeve, had it been mailed. All's well, I guess.



This is the view entering the room from the foyer.
Here we find Otis silently stalking all of the squirrels, birds, feral cats and rabbits that enjoy frolicking in our backyard.
Still not sure what I'm going to do about the doors to the fireplace. It'll most likely get painted.
Here's the dinette we found in Phoenix. It replaced a vintage Chromcraft set I'd owned for years. I did, however, recycle the Chromcraft's glass top—the one the Arkana set was sold with was beveled and way too small (I don't think it was original to it, anyway).
This shot leads you to one of the two entrances to the kitchen... which is halfway done. It's still in need of new flooring and counter-tops. Finances and me being new to doing my own renovation work means this is a really slow process. I'm at the point where I need to hire someone to help me with the counter-tops since they require a lot of attention.
The view from the kitchen.
You can see my covered deck that leads to a wrap-around patio through the wall of windows. One day I hope to replace the wagon-wheel-esque railing that is currently there to something more appropriate and modern. I've also neglected to change the horrible light fixture that's still dangling out there. It will get done soon!
I've reserved this little nook for my vintage robot collection. You can also see the spiral staircase that leads down to the finished basement. Painting the stairwell and ripping out the carpet are two big priorities on my checklist.
Finally, Sof' Boy stands guard over the entire house. He's also responsible for feeding the carnivorous plants in our terrariums. Thanks, li'l buddy!

While visiting Arizona this summer, we took a day trip up to Phoenix to hang out with our good friend, Mike, and to do some record and antique shopping—we also ended up waiting for four hours (!) for some yummy pizza at Pizzeria Bianco (but that's another story...).
So geography was the first problem ...and then there was also the matter of the asking price. The owner of the store had priced it far beyond my budget. There was absolutely no way I could afford to pay that much. I talked to Tony about it and he volunteered a possible solution: why not have his brother, a local architect and firm owner, talk to the proprietor to see if they could arrive at some mutually beneficial decision? Sure enough, a week later, his brother spoke to the guy—who, as it turns out, loves pleasing architects (future clients)—and he agreed to shave 1/3 off the asking price. Phew!
Nothing signals the passing of a good year like the arrival of a vintage—this was made 20+ years ago—masterstroke by Daniel Gillespie Clowes. A quick convert since high school, I've spent the past decade down in the trenches, tracking down and collecting his original artwork. Its pursuit is maddening, wallet-detonating and (oftentimes) heartbreaking, but the overwhelming pride of ownership his pages confer make all of the hassles worthwhile.
Eternal indebtedness and gratitude to Mike and Damian for their undying devotion to charity! Special thanks to Mitch O'Connell for having the foresight to pick these up when he had the chance. And an extra-special thanks to Valery for putting up with my fanboy slavishness.
Never having run across one of these in the southwest, I was really pleased when we walked into a neighborhood antique store and saw it perched atop an uppermost shelf. Flush with cash and eager to add this to our vintage electronics collection, I succeeded in getting the owner to knock 1/4 off the asking price. Although I still don't think it's superior to the JVC Videosphere, Panasonic's Orbitel makes an effective argument.
A period ad announcing the arrival of Panasonic's space-age classic.
Unfortunately, this one didn't come with a box, but we found an image online and figured it was worth including.
Here it is resting peacefully in its natural habitat: our den.
Handy record tote supplied by the kind folks over at Norton Records—showcasing the one-and-only Eskew Reeder Jr. Regrettably, the M- copy of the Alarm Clocks' No Reason To Complain 45 that Billy Miller had available for trade, was not included with its purchase.
Both volumes of TORTURA: The Sounds of Pain and Pleasure were finally picked up. Unlike most of the copies spotted over the years, these are in surprisingly clean condition. The Eric Stanton-esque covers are exactly what those insidious record frames were made for. Preparations are already being made to get these set up in the guest bedroom.
Two more volumes of Tim Warren's Garage Punk Unknowns series from the 80s. One more to go—which is currently en route—and a set of the original seven (with paste-on covers) will finally be completed!
Some record fair purchases, a few (Jimmy Jukebox & the Easybeats) provided by pals and one (Damned) found locally. It's nice to finally have Motor Boat, Sorry, Long Gone, Blood Splattered With Guitars, Die Trying, and Do You Wanna Know in their original forms. Although we finally found a Chantal Kelly single, we're still on the lookout for her Notre Prof D'anglais EP. Help?
Promo glossy of the Arrows in top form & two Drew Friedman prints depicting perennial household favorites: Don Knotts and Screamin' Jay Hawkins.
Lastly, a couple of 60s Danish teak curios found in a small vintage shop in the East Village. The duo are complete with designer tags noting a Mr. Tonny Gerbsch. A quick internet search provided no results, so anyone with further details is invited to write us.









